This is the most comprehensive single comparison of currently-running West End shows you will find anywhere, updated for 2026. It covers every major musical and play on stage in London right now, with verified runtimes, age guidance, theatres, genres and what each show is genuinely best for. If you want to skip the reading and just see what is playing, all London theatre tickets are one click away. If you want the answer to "which show should I see?", that is what the next 3,000 words are for.
tickadoo is built by the founders of London Theatre Direct, so the editorial perspective here is grounded in real audience response across hundreds of West End productions, not press releases. The table below compares every currently-running show on the same axes. The H2 sections after it answer the most common decision-making questions, one at a time, with a direct answer in the first sentence.
The West End at a glance: every major show compared
| Show | Theatre | Genre | Runtime | Age | Music style | Mood | Best for | Price |
|---|---|---|---|---|---|---|---|---|
| The Lion King | Lyceum Theatre | Musical | 150 min | 6+ | Disney pop with African choral | epic / feel-good | First family musical for under-12s | $$ |
| Hamilton | Victoria Palace Theatre | Musical | 165 min | 10+ | Hip-hop and R&B | epic / smart | Music lovers and older teens | $$$ |
| Six | Vaudeville Theatre | Musical | 80 min | 10+ | Pop concert | feel-good / fierce | Short night out, no interval | $ |
| Mamma Mia! | Novello Theatre | Musical | 155 min | 5+ | ABBA pop | feel-good | Audiences who want to sing along | $$ |
| Wicked | Apollo Victoria Theatre | Musical | 165 min | 7+ | Broadway pop | epic / emotional | Teens and fans of the film | $$ |
| Les Misérables | Sondheim Theatre | Musical | 170 min | 7+ | Operatic musical theatre | epic / heavy | Classic-musical fans | $$ |
| The Phantom of the Opera | His Majesty's Theatre | Musical | 150 min | 8+ | Operatic pop | romantic / dark | First-time visitors to a classic | $$ |
| The Book of Mormon | Prince of Wales Theatre | Musical | 150 min | 16+ | Broadway comedy | comedy / sharp | Adults who like South Park humour | $$ |
| Hadestown | Lyric Theatre | Musical | 150 min | 12+ | Folk, jazz and blues | romantic / mythic | Indie-folk and Greek-myth lovers | $$ |
| Moulin Rouge! The Musical | Piccadilly Theatre | Musical | 155 min | 12+ | Pop mash-ups | romantic / spectacle | A statement night out | $$$ |
| Matilda The Musical | Cambridge Theatre | Musical | 150 min | 6+ | Tim Minchin original score | feel-good / smart | Families with primary-age kids | $$ |
| Stranger Things: The First Shadow | Phoenix Theatre | Play | 165 min | 14+ | Play with sound design | dark / scary | Stranger Things fans, older teens up | $$$ |
| Witness for the Prosecution | London County Hall | Play | 120 min | 12+ | Play, no music | mystery / immersive | Classic-crime fans in an unusual venue | $$ |
| Disney's Hercules | Theatre Royal Drury Lane | Musical | 150 min | 6+ | Disney pop | feel-good / family | Disney-musical fans of all ages | $$ |
| Paddington The Musical | Savoy Theatre | Musical | 145 min | 5+ | Original family score | feel-good / gentle | Families with kids 4 to 10 | $$ |
| Oliver! | Gielgud Theatre | Musical | 165 min | 7+ | Classic British musical | feel-good / nostalgic | Lionel Bart fans, classic-musical evening | $$ |
| Avenue Q | Shaftesbury Theatre | Musical | 140 min | 16+ | Comedy songbook | comedy / cult | Sesame-Street-meets-stand-up adults | $$ |
| Harry Potter and the Cursed Child | Palace Theatre | Play | 200 min | 10+ | Play with stage magic | magical / theatrical | Potter fans, big-staging spectacle | $$$ |
Best West End show for kids and families
The best West End show for kids and families is The Lion King, followed by Matilda and Mamma Mia! at the slightly older end. The Lion King is rated 6+ and works for the broadest age range because the visual spectacle holds attention even when small children miss plot beats. The Lion King runs at the Lyceum Theatre and the puppetry remains the strongest argument for a London theatre trip with primary-age children. Matilda (Cambridge Theatre, 6+) is sharper, wittier and better for confident readers aged 8 and up who already know the book or film. Mamma Mia! is rated 5+ but lands best with families where the parents grew up with ABBA, because the kids follow the energy rather than the romantic plot.

Best West End show for a first date
For a first date pick a show with a clear romance, a 2h 30m maximum runtime and a 7 to 10pm slot so you can have a drink before or dinner after. Moulin Rouge! The Musical is the strongest first-date show in the West End right now: the Piccadilly Theatre is the most photogenic auditorium in London, the soundtrack is built on songs both of you already know, and the romance is the whole point. The Phantom of the Opera works if your date likes classic theatre, and Hadestown is the smart-romantic option if you both prefer indie-folk to power ballads. Avoid The Book of Mormon on a first date with anyone you have not already vetted for comedy taste.

Best West End show for first-time visitors to London
The default recommendation for a first-time London theatre visit is The Lion King, because it is the most universal piece of stagecraft in the West End and it requires no prior knowledge. It does what theatre does that film cannot: live puppetry, sound that hits you in the chest, a young cast at full effort within ten metres of your seat. Les Misérables is the second pick if you want something heavier and more grown-up. If you want to brag later about seeing the original, Phantom is the longest-running musical in the West End and has been at His Majesty's Theatre since 1986. None of these require homework.
Shortest West End musicals
The shortest currently-running West End musical is Six at 80 minutes with no interval. It is by some distance the shortest big show in London and the deliberate design choice has become its biggest selling point: you can have dinner before, see the whole show, and still make a last train. Witness for the Prosecution runs to roughly two hours and is the shortest of the plays. After that there is a 20-minute gap to the next tier, where most musicals (Matilda, Lion King, MJ, Mormon) sit around 2h 30m including interval.
West End shows with no interval
Only one major West End show has no interval: Six, at 80 minutes straight through. Every other musical and play on this list breaks for 15 to 20 minutes around the midpoint. If a single-act show is non-negotiable for you (timing, logistics, or you simply don't want the second act drink queue), Six is the answer. Stranger Things: The First Shadow keeps an interval but runs one of the most relentless first acts in London right now if what you actually want is uninterrupted intensity.
West End shows suitable for non-English speakers
If English is not the audience's first language, the best West End shows are the most visual ones, where the spectacle carries the story and the dialogue you miss does not break the experience. The Lion King is the strongest pick for any audience that includes children or anyone with limited English, because the staging tells the story almost without words. Moulin Rouge! also lands well because the soundtrack is built from songs already familiar in most languages. Avoid The Book of Mormon and Six for non-English speakers: both are extremely lyric-dense and the jokes are the point.
Best West End show if you only have one night in London
With one night in London your decision is mostly between universal spectacle and once-in-a-lifetime credentials. The Lion King is the safer of the two, Hamilton is the more bragworthy. If you have the kind of taste that prizes craft over scale, Hadestown is the most musically interesting show in London right now and you'll talk about it for longer. If you have any flexibility on the night, book a 7pm show rather than 7:30pm, and leave 30 minutes after curtain to walk through Theatreland with the post-show crowd. It is part of the night out.
Cheapest West End shows
The cheapest entry point in the West End right now is Six, which often releases £25 to £35 seats for midweek performances, partly because the runtime is short and the theatre has a flat pricing structure. Avenue Q sits in a similar bracket at the Shaftesbury Theatre. For the big spectacle musicals (Hamilton, Moulin Rouge, Lion King), the cheapest prices come from booking 8 to 12 weeks ahead for a Tuesday or Wednesday evening, where standard mid-stalls seats clear at around £55 to £75 instead of the £150-plus weekend ceiling.
Hamilton vs Six: which should you see?
Hamilton is the better single show; Six is the better short evening. Hamilton runs 2h 45m and is one of the most ambitious pieces of musical theatre of the last twenty years, with a hip-hop and R&B score that rewards repeated listens. Six runs 80 minutes with no interval and is built like a pop concert: six queens, six numbers each, no plot to speak of, big payoff. If you have the time and the budget, Hamilton wins on substance. If you want a sharp, loud, finished-by-9:30pm night out, Six is the answer. Lyrics fans will get more from Hamilton; pop and TikTok-era fans usually prefer Six.

Lion King vs the Disney shows: which should you see?
Two Disney shows are currently on stage in London: The Lion King at the Lyceum, and Disney's Hercules at Theatre Royal Drury Lane. Lion King is still the strongest overall pick on staging, music, and audience reach; Hercules is the better choice for visitors who already know that score from the film. Paddington The Musical sits adjacent to the Disney bracket and works well for families with younger kids. Matilda, while not Disney, often gets compared by visitors looking for family musicals: it's wittier, more British, and works better for kids who already read.
Les Misérables vs Phantom of the Opera: which classic?
If you want the bigger emotional payoff, see Les Misérables. If you want the bigger romantic gesture, see The Phantom of the Opera. Both are at the operatic end of the West End and both have been running for decades. Les Mis is heavier, more political, and the songs are stronger as standalone numbers. Phantom is more lush, more Victorian, and works better as a one-night spectacle. Phantom also has the longer continuous run at His Majesty's, which matters if you want to see a show in its original home.

How far in advance should you book West End tickets?
For Saturday evening seats in peak weeks (December, school holidays, July to August), book 10 to 14 weeks ahead for any show with a Lion King or Hamilton-sized audience. For midweek performances at most musicals, 3 to 6 weeks is fine and prices are usually 30 to 40 percent lower than the weekend equivalents. For shorter runs like Six and most plays, a week ahead is usually enough for a decent mid-week seat. For a show you've travelled to see, book in advance rather than gambling on same-week availability.
What time do West End shows start and end?
Most West End evening shows start at 7:30pm and end between 10pm and 10:30pm. The exceptions worth knowing: Six is 80 minutes with no interval, so a 7:30pm start ends by 8:50pm. Hamilton runs to about 10:30pm. Les Misérables is the longest of the big shows at 2h 50m and runs until about 10:25pm. Matinées generally start at 2:30pm and end around 5pm. London theatres open the auditorium 30 minutes before curtain. Late arrivals are usually held in the lobby until the first scene break, so the practical advice is to be in your seat by 7:20pm at the latest.
Frequently Asked Questions
Is the West End worth it?
Yes, for almost any visitor to London. The West End has the highest concentration of long-running, world-class theatre productions outside Broadway, and prices for mid-week seats start at around £25 to £35 for shorter shows like Six. The single biggest variable in whether you enjoy the experience is picking the right show for the audience you're going with, which is what the comparison above is for.
How long is a typical West End show?
Most West End musicals run 2h 15m to 2h 50m including a 15 to 20-minute interval. Plays are usually slightly shorter, around 2h to 2h 30m. The clear outlier is Six at 80 minutes with no interval. Hamilton (2h 45m) and Les Misérables (2h 50m) sit at the top end.
Do you have to dress up for the West End?
No. Smart-casual is the standard. Jeans and trainers are fine in any West End theatre. Press nights and gala performances are dressier but those are not standard public performances. The dress-code question is one of the most-searched West End questions and the honest answer is wear what you would wear to a nice restaurant.
Can children go to West End shows?
Yes, with age guidance. The Lion King and Matilda accept under-5s but most West End theatres recommend a minimum age of around 5 or 6 for musical theatre. Most plays and dialogue-heavy shows have a recommended age of 8 or 10 and up. The Book of Mormon is 16+ for adult content. Always check the specific show's age guidance before booking , it's listed on every show's tickadoo page.
What is the cheapest way to see a West End show?
Book 8 to 12 weeks ahead for mid-week performances of long-running shows: prices in rear stalls and front dress circle run 30 to 40 percent below weekend equivalents. Pick off-peak months (September, late January, February, October) for the lowest baseline pricing across the West End. For a specific seat at a specific show, book in advance via tickadoo rather than gambling on same-week availability.
What's the difference between the West End and Broadway?
The West End is the London theatre district centred on Shaftesbury Avenue and the surrounding streets; Broadway is the New York equivalent in the Theater District around Times Square. Many shows transfer between them, often with different casts. Prices are generally lower in the West End: a premium seat in London usually costs £100 to £150, while a Broadway equivalent runs $200 to $400.
Are West End tickets refundable?
Standard West End tickets are generally non-refundable, but exchange and refund terms vary by show and seller. Check the policy listed on your booking at the time of purchase.
What's the best seat in a West End theatre?
For musicals, rows 5 to 12 of the stalls, centre block. For plays, you can go closer (rows 2 to 8) because the action is more intimate. The dress circle front row is the best non-stalls seat in almost every London theatre and is often cheaper than mid-stalls. Avoid the back of the upper circle in older theatres (His Majesty's, Lyceum, Palace) where sight lines compress and the sound goes thin.
Do West End shows run every day?
Most West End shows run six or seven evenings a week with two matinees, usually Wednesday or Thursday plus Saturday. Sunday is the most common dark day. Hamilton and Six both perform on Sundays. Always check the specific show's schedule before booking travel.
Is the West End suitable for solo travellers?
Yes, and arguably better than for groups. A single seat in the stalls is one of the easiest tickets to get for any sold-out show because most parties book in pairs, fours or sixes. Day-of-show single seats are common even for The Lion King and Hamilton.
The bottom line
The West End in 2026 has more strong, currently-running productions than at almost any point in its history. The honest summary: if you can only see one show, see The Lion King. If you have a smarter, harder-to-please companion, see Hadestown or Hamilton. If you have 80 minutes and want a sharp, loud, finished-by-9pm night, see Six. See current availability for every running show at London theatre tickets.
Built by the founders of London Theatre Direct, with 25 years of expertise in theatre ticketing. The tickadoo editorial team covers West End and Broadway shows, attractions, tours and experiences across 700+ cities.
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